Ear Training

Play the cadence first — I – IV – V – I, major or minor to match the key you chose — which is what tells your ear where Do is. Then ask for a note, name it, and check.

Answer with the solfège syllable to practise hearing a note's place in the key, or with the letter to practise naming the pitch itself. Switch accidentals on and the questions come from all twelve semitones rather than the seven of the key — an off-scale note answers to two names each way, the degree below it raised or the one above it lowered, and either counts.

Auto-play runs the whole thing hands-free, for practising somewhere you cannot look at a screen. It plays the cadence, plays a note, waits while you name it, and then answers out loud the only way sound can: it climbs the scale from the tonic up to the note, so a run of Do Re Mi Fa tells you the note was Fa. Then it asks the next one.

Octaves
Labels
Notes

Play the cadence to put the key in your ear, then ask for a note.

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Keyboard: the number row answers left to right, A auto-play, C cadence, N new note, R replay.